Taylor Swift’s The Life of a Showgirl rules the Billboard 200 chart (dated Nov. 29) for a seventh week in a row. The set earned 93,000 equivalent album units in the United States in the week ending Nov. 20 (down 15%), according to Luminate.
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The Life of a Showgirl is only the second album in 2025 to spend its first seven weeks at No. 1, following Morgan Wallen’s I’m the Problem (which spent its first eight weeks atop the list, of its total 12 at No. 1). Swift’s last album, The Tortured Poets Department, spent its first 12 weeks at No. 1 in 2024, of its total 17 weeks atop the list. The Life of a Showgirl and The Tortured Poets Department are the only two of Swift’s No. 1 albums (of her 15 total leaders) to spend their first seven weeks or more at No. 1.
Also in the top 10 of the latest Billboard 200, Summer Walker’s Finally Over It debuts at No. 2, NF’s FEAR arrives at No. 4 and 5 Seconds of Summer’s EVERYONE’S A STAR! starts at No. 6.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multimetric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new, Nov. 29, 2025-dated chart will be posted in full on Billboard‘s website on Nov. 25. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.
Of The Life of a Showgirl’s 93,000 equivalent album units earned in the latest tracking week, SEA units comprise 75,000 (down 15%, equaling 98.49 million on-demand official streams of the set’s tracks — it’s No. 1 on Top Streaming Albums for a seventh week), album sales comprise 17,000 (down 8%; it rises one spot to No. 3 on Top Album Sales) and TEA units comprise 1,000 (down 54%).
Summer Walker earns her fourth top 10-charted album as Finally Over It debuts at No. 2 with 77,000 equivalent album units earned. Of that sum, SEA units comprise 69,000 (equaling 91.88 million on-demand official streams of the set’s tracks; it debuts at No. 3 on Top Streaming Albums), album sales comprise 8,000 (it debuts at No. 12 on Top Album Sales) and TEA units comprise a negligible sum. Walker notches the largest debut for an R&B album by a woman in 2025, by equivalent album units earned. (R&B albums are defined as those that are eligible for, or have charted on, Billboard’s Top R&B Albums chart.)
Finally Over It was initially released on Nov. 14 as a standard 14-song widely available digital download album, an 18-song download and streaming edition (which added four tracks) and an 18-song physical edition on CD and vinyl (which added four other tracks). Later in the album’s first week, two deluxe editions arrived. On Nov. 18, there was an Apple-exclusive version with five bonus audio tracks. A day later, a widely available download/streaming deluxe version with three other bonus audio cuts arrived.
Finally Over It was also issued on four vinyl variants (including one signed), a widely available CD and a signed CD. She also sold four deluxe boxed sets containing a branded clothing item and a copy of the CD, exclusive to her webstore.
The new album was preceded by a pair of charting hits on the Hot R&B Songs chart: “Heart of a Woman” (which peaked at No. 3 in December 2024) and “Spend It” (No. 12 in May).
Morgan Wallen’s I’m the Problem falls 2-3 on the Billboard 200 with nearly 76,000 equivalent album units earned.
NF debuts at No. 4 with FEAR, bowing with almost 76,000 equivalent album units. It’s the fifth top 10-charted album for the artist, all earned consecutively. Of the set’s first-week units, album sales comprise 48,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 27,000 (equaling 36.76 million on-demand official streams of the set’s tracks; it debuts at No. 10 on Top Streaming Albums) and TEA units comprise less than 1,000 units.
FEAR was released as a widely available physical album with five songs, and a digital download and streaming album that added a track (“Who I Was,” with mgk). FEAR was issued on two CD variants (including one signed) and two vinyl variants. On Nov. 20, a new download version arrived that added a lyric booklet.
The chart-topping KPop Demon Hunters soundtrack drops 3-5 on the Billboard 200 with 68,000 equivalent album units (down 9%).
5 Seconds of Summer scores its seventh top 10-charted effort on the Billboard 200 as EVERYONE’S A STAR! enters at No. 6 with 51,000 equivalent album units earned. Of that sum, album sales comprise 41,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 9,000 (equaling 11.33 million on-demand official streams of the set’s songs) and TEA units comprise 1,000.
The album was issued as a 12-song standard set (at streamers and digital download services and on physical editions), seven CD variants (including four band member-specific editions with alternative cover art and a unique bonus track each, along with a signed CD), seven vinyl variants (including a signed edition) and a deluxe boxed set containing a branded T-shirt and a copy of the CD. Later in the set’s first week, a deluxe digital download version of the album was sold exclusively via the quartet’s webstore, which added the four songs that were initially only available on the member-specific CD variants, along with a fifth bonus cut exclusive to the download album.
Olivia Dean’s The Art of Loving gets pushed down two spots to No. 7 despite its 20% gain following her turn as the musical guest on NBC’s Saturday Night Live on Nov. 15. The set earned 50,000 equivalent album units in the week ending Nov. 20.
Three former No. 1s round out the top 10 of the latest Billboard 200: Sabrina Carpenter’s Man’s Best Friend dips 6-8 (35,000 equivalent album units, down 4%), SZA’s SOS slips 7-9 (33,000, up 4%) and Wallen’s One Thing at a Time falls 9-10 (29,000, down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
